THE DAY THE WORLD WENT AWAY

 

This‘human video mapping’ is amazing. The Day The World Went Away is an editorial/film photographed and directed by Pierre Debusschere and styled by Melina Nicolaide for theUnder/Current magazine.

DEAD MEAT MENSWEAR FALL 2010

Dead Meat’s latest men’s collection for Fall/Winter 2012.  'A man with no face is a man with no voice and that is nothing but dead meat. But in this collection the garments come out that strong, they do all the talking needed'

SIX LEE, FALL 2012

Hong Kong born designer Six Lee graduated from The Royal Academy of Fine Arts Antwerpen in 2009 before moving to London for a collaboration with Alexander McQueen. This fall winter collection is breathtaking. It makes a statement on traditional British tailoring, with clean cuts, sharp lines and a mdern twist, resulting in a unique, highly origional silhouette. An overly romantic person, Six Lee gets inspired by the most diverse genre of music and films. The emotion he puts into writing poems or pressing flowers, will be found in every single piece from his hands.

THE EVER CHANGING FACE OF BEAUTY

I was in awe when i saw Sølve Sundsbø's new installation The Ever Changing Face of Beauty for the March issue of W Magazine. The moving installation featured Lara Stone cut into four pieces with various styling and effects, juxtaposed against men, animals and nature. The stylist Marie Chaix beautifully shows springs latest trends in each picture. And all of this was filmed in just a single day.

TATIANA LESHKINA

I discovered Tatiana's work while researching for a recent project. In this series of photos I have chosen I was drawn to her stark locations portraying isolation and the way she juxtaposes already beautiful images together to create something even more spectacular, ‘communicating Tatiana's understanding of the body as a vessel for the soul’ The balance of strength and weakness created is astonishing. Utter perfection.

THOMAS TAIT

I have been a huge fan of Thomas Tait since seeing his first MA show in 2010, but for a theory project I have been looking more into his designs. Although Tait has shown two more collections since his Graduate collection, this first one has to be my favourite. I became immediately obsessed with his play on weights of fabrics, and in particular his specific focus on an exaggerated bone structure and precise cutaways, which he says came about as a result of studying form and proportion. The silhouettes were somewhat fragmented and create the illusion of protruding hips and shoulder blades, becoming clear of his fixation with certain parts of the body, in particular shoulder blades and pelvic bones. Tait’s colour austerity focuses attention on the form of the garments.

VALENCIA